Halftone generator
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Halftone generator for DTF printing

Free DTF halftone maker: turn soft shadows, glows and gradients into solid dots on a transparent background so prints stay breathable and edges stay clean.

Drop, paste or upload an image100% in-browser · nothing uploaded
Tone: contrast, dot gain, min / max dot

DTF transfers halftones: what to know

Direct-to-film printers lay down white ink under every pixel that has any color. Soft shadows, glows and semi-transparent edges turn into a solid, rubbery white patch — or worse, a faint rectangle around the design. Halftoning fixes this: partial transparency becomes a pattern of fully opaque dots with true transparency in between, so the white underbase only goes where the dots are.

This page starts with a transparent background, a fine 6 px cell and a 6% minimum dot. Export a transparent PNG at 2400 px or more (8 inches at 300 DPI) and place it in your gang sheet. Breathable halftone areas also make large DTF prints softer and less likely to crack.

Use Invert when the design is meant for a dark garment and you want the light parts of the image to become dots. Keep the dot size above about 0.5 mm on the final print — smaller dots can fail to transfer reliably with some powders and presses.

Coarse 30 px cell — dot halftone exampleCoarse 30 px cell
Fine 12 px cell — dot halftone exampleFine 12 px cell
Left: a soft fade prints as a solid white-backed slab. Right: halftoned, only the dots carry ink and white.

Recommended settings

  • Turn on Transparent background before exporting
  • Use 2400–3600 px wide output for 8–12 in prints
  • Minimum dot 5–8% so tiny specks do not fail to transfer
  • Invert for light-on-dark designs

How to make a halftone

  1. Add an image. Click Upload image, drag a file onto the preview or paste with Ctrl/⌘+V. Photos, logos and gradients all work; transparent PNGs keep their transparency.
  2. Choose shape and size. Pick dot, line, square, diamond or cross, then set the cell size (dot spacing) and screen angle — or switch to CMYK for four color separations.
  3. Tune the tones. Open Tone to adjust contrast, dot gain and the minimum and maximum printable dot for screen printing, DTF or engraving.
  4. Download. Choose the output width and click Download PNG, or SVG for vector dots. Tick Transparent background to export only the ink.

FAQ

How do I make a halftone for dtf transfers?

Direct-to-film printers lay down white ink under every pixel that has any color. Soft shadows, glows and semi-transparent edges turn into a solid, rubbery white patch — or worse, a faint rectangle around the design. Halftoning fixes this: partial transparency becomes a pattern of fully opaque dots with true transparency in between, so the white underbase only goes where the dots are.

Can I export a vector SVG halftone?

Yes. Click SVG to download every dot, line, square, diamond or cross as a vector path. Each ink is a single compound path in a rotated group, so it opens cleanly in Illustrator, Inkscape, Affinity Designer, Figma, Cricut Design Space and LightBurn.

What cell size should I use?

Cell size is the distance between dots in pixels. At 300 DPI output, cell size = 300 ÷ LPI: 6–7 px is about 45–50 LPI (screen printing on 230 mesh), 10 px is 30 LPI, and 16 px and up gives a bold pop-art look.

What are the standard CMYK halftone angles?

Cyan 15°, magenta 75°, yellow 0° and black 45°. The three strong inks are 30° apart, which produces a small rosette instead of a visible moiré; yellow is placed on the remaining angle because its moiré is the least noticeable.